Miranda Kaufmann
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Thoughts on Andrea Stuart's Guardian article: "Black History Month can only be declared a success once it's redundant" 

1/11/2013

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I've just written a comment on Andrea Stuart's article that ended up being so long that I thought I'd make a blog post out of it!

I'm hoping to write a retrospective blog on all the interesting events I've attended this Black History Month soon [I did!- read it here], but I need to digest a bit first, and events are continuing into November this year anyway!

Andrea Stuart concludes: "Instead of the jingoistic version of history championed by the likes of education secretary Michael Gove, we should aim to create a narrative for our citizens that tells the whole story, warts and all. We will know Black History Month is successful only when it is redundant – when our history is understood by us all, and young people gain the pride and self-assurance that a genuine account of it would afford."

I commented: 

I strongly agree that Black History Month needs to continue, as a campaigning and educating tool, until we have a more inclusive, and therefore accurate, understanding of British History. 

To make this happen, we need to focus on History during BHM, not taster Zumba lessons (as I saw advertised as part of one London borough's programme). 

One positive sign this year is that BHM events continue into November in many places, so is becoming a season!

I argued for a diverse curriculum in the Times earlier this year, when Mary Seacole was in danger of being removed from the syllabus.

And I blogged about the dangers of the narrow "Our Island Story" vision of British History, championed by Gove and Cameron.

In the spirit of understanding all our history, the statement: "Britain was also one of the originators of the institution of slavery, certainly in the Atlantic context."- is a bit misleading. Portugal and Spain were the first European transatlantic slavers, transporting the first Africans across the Atlantic in the early 16th century, over 50 years before John Hawkins and over a century before the English began trading regularly. And, as others have pointed out, the institution of slavery was ancient!

However, the wider point that it is hypocritical to pat ourselves on the back for abolishing the trade which we happily profited from for some 150 years is quite right. I recently reviewed a book on Slavery and the British Country House, which explores some of the buildings around Britain that remain as physical reminders of these profits.

And in the context of abolition, it's important to remember that the end of slavery was brought about not just in Parliament, but as a result of the agency of Africans, both abolitionists like Equiano, and those that actively resisted in the Caribbean, whose story is being told in the Making Freedom exhibition, opening at the Royal Geographical Society next week, on 6th November.

But, as I argued in the Guardian last year, we need to stop equating Black History with the History of Slavery.

For more on the history of Africans in Tudor and Stuart Britain, see the History page of my website, or come to one of my Talks. 

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"Our Island Story"? What history should we teach our children?

12/11/2012

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PictureThe Drake Jewel (V&A)
As Black History Month drew to a close, I found myself addressing the Department for Education. My 'lunchtime seminar' talk  was called " Africans in Tudor and Stuart Britain: before the slave trade." (I hastened to add that I meant before the English really got going at the slave trade, not before the Portuguese and Spanish slave trade, and pointed out that John Hawkins' voyages in the 1560s were something of an aberration, which were not to be repeated for some 70 years). 

A few days before my talk, the poet Benjamin Zephaniah had been quoted  by the BBC as saying that black and Asian pupils are turned off history because they are told only "half the story" in British schools.

The same BBC article reported that Education Secretary Michael Gove "has said schools should focus on a traditional narrative of British history in response to concerns it had become too politically correct [and]... that the current approach to history denies 'children the opportunity to hear our island story', and... this has to change."

Continue reading the main story... the current approach to history denies "children the opportunity to hear our island story", and this has to change."The phrase "our island story"  jumped out at me because it reminded me of an old book I'd grown up with.  Our Island Story is a nostalgic, patriotic storybook written in Australia in 1905  by Henrietta E. Marshall. This Edwardian tome was reprinted in 2005 by the think-tank Civitas, with the aim to send a free copy to each of the UK's primary schools. David Cameron told the RSC it was his favourite childhood book in 2010, and that it "really captured [his] imagination and ... nurtured [his] interest in the history of our great nation.”  But what stories does this book tell? And are they really only "half the story"?

Take Sir Francis Drake, for example. A classic Elizabethan hero, he appears of course in Our Island Story, where Marshall describes him as "very bold and daring", and tells the story of the singeing of the King of Spain's beard, and him refusing to face the Armada before he'd finished his game of bowls on Plymouth Hoe. But my research has shown me another side of Drake, that is writ large upon the Drake Jewel (above, a present from the Queen in 1588, which Drake wore  hanging from his belt in this 1591 portrait) but that is not included in Marshall's version of events. 

The bust of an African man on the Drake jewel has been interpreted as a symbol of Drake's alliance with the Cimaroons.  These were the Africans who had runaway from the Spanish who had enslaved them and set up their own communities. Their local knowledge was invaluable to Drake when he allied with them to capture the Spanish silver train in Panama in 1573.  One of these Cimaroons, a man named Diego, returned to Plymouth with Drake and accompanied him on his circumnavigation voyage of 1577-80. Unfortunately he died near the Moluccas, from wounds received from the hostile inhabitants of Mocha Isle, off the coast of Chile. 

Diego was not the only African onboard. We know of at least three more, one of which, a woman named either Francesca or Maria, who was abandoned, heavily pregnant, on Crab Island, Indonesia. William Camden, the first historian of Elizabeth I's reign, reported in his Annales that Drake "purchased much blame…for having most inhumanely exposed in an island that negro or blackamore maid who had been gotten with child in his ship.” However this, and other stories of Africans who encountered Drake, seem to have disappeared from popular record. 

Drake's cousin, John Hawkins doesn't appear in Our Island Story at all. Drake may well have accompanied him on some of his slaving voyages in the 1560s. And later voyages that Drake made to the Caribbean, for example his raid of 1585-6, also resulted in Africans coming to England. 

The idea of "Our Island Story" needs to be re-imagined. To be 'insular' can mean to be cut off from the rest of the world. But the histories of most islands, from Crab and Mocha isles, mentioned here, to the Island of Britain, are stories of comings and goings, of invaders and immigrants.  The story of our island is one of these. And we need to tell our children the whole story, and to do so we need to re-tell it for our time and not rely on the imaginings of an Edwardian patriot, however picturesque. 


Picture
1905 edition
Picture
2005 edition
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    Author

    Dr. Miranda Kaufmann is a historian of Black British History living in North Wales. You can read a fuller bio here, and contact her here.

    Related Blogs/Sites

    Michael Ohajuru's Black Africans in Renaissance Europe blog

    Temi Odumosu's The Image of Black website

    The UCL Legacies of British Slave-ownership project Database and blog

    The Trans-Atlantic Slave Trade Database

    The Black Presence in Britain

    Jeffrey Green's website, on Africans in 19th and early 20th Century Britain
     
    Untold Theatre 

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